
[Azure Fern - mArta Bevacqua]
For "The Thin Ice" (The Wall movie), Ulrick wrote "What he thought to be a warm, nurturing ocean turned out to be cold and sterile; the loving mother and the embracing life have become frozen and unyielding. The "sea may look warm" but it is, in all actuality, a layer of thin ice covering a frigid, aqueous landscape."
The thin ice that hides a "frigid, aqueous landscape" is a recurring image to the modern personality stereotypes. We all have some sadness hidden, still hurting, but we've still got our daily things to do, there's still rent to pay. Sometimes we think that one is quite happy for one's achievements, but there always is something hidden...
Sunday, January 6, 2008
The Thin Ice: the two sides of water symbolism
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Ren B
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8:20 PM
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Tags: mArta Bevacqua, symbolism, The Thin Ice, the wall
Saturday, December 29, 2007
Pink Floyd's The Wall (cinema)
The Wall (movie, 1982) is the full development of Pink Floyd's The Wall (album, 1979). The movie is a result of the thoughts of Roger Waters (PF bassist at the time), Alan Parker (director) and Gerald Scarfe (cartoonist) combined. It's 84 minutes long.
Why should it matter?
The Wall is about society imposing consecutive stings of pain on individuals. As a result of painful events, Pink - the main character - isolates himself behind a barrier, inside the Wall. Mixing isolation, frustration, alienation, cyclic aspect of life, corruption and redemption, The Wall is one of the most well-written modern artworks.
Bret Urick has written the most famous analysis for the The Wall movie in his site, The Wall Analysis. Many suggestions and additions have been made since he originally posted his analysis, completing what's probably the most comprehensive (and larger!) analysis for the movie.
Here it is the movie online on Imeem.
Posted by
Ren B
at
10:13 PM
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Tags: Alan Parker, cinema, Gerald Scarfe, pink floyd, Roger Waters, the wall